Friday, December 19, 2014
 
 
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Here's my 4 minute review after a first look at the software. Seriously - in 2 minutes, you'll be comfortable with the software. Why? Because it just does one thing - sketching. This is what it was meant to do. And it is RIDICULOUSLY FAST.
The Foundry's Mischief
Fast GPU sketch tool is super clean

Here's my 4 minute review after a first look at the software. Seriously - in 2 minutes, you'll be comfortable with the software. Why? Because it just does one thing - sketching. This is what it was meant to do. And it is RIDICULOUSLY FAST.   [FULL STORY]
 
 
C4D Quick Tip
by Ko Maruyama
 
Here's a really basic way to control the pupil of a cartoon character using a simple gradient shader and user data to drive the radius.   [FULL STORY]
 
CINEMA 4D Studio is the very best that MAXON has to offer for professional 3D artists. If you want to create advanced 3D graphics but need a helping hand to ensure you create jaw-dropping graphics quickly and easily, then this is the choice for you. In this tutorial Stephen Schleicher runs through the new Motion Tracker in Cinema 4D R16, and shows how you can track 3D objects into your shot without the need of an additional application.   [FULL STORY]
 
Think of Flow 2.0 essentials as a visual Dropbox for media assets, with versioning and time tracking. Let's take a look at a project I have setup.   [FULL STORY]
 
Cineform CTO and co-founder David Newman demonstrates a brief tutorial for those getting started with 3D. This explains how to take separate Left and Right eye CineForm AVI or MOVs and multiplex them into a single CineForm 3D clip.   [FULL STORY]
 
In this clip, host Chad Perkins discusses how to colorize black and white objects, footage, and effects. He covers hue, saturation, and lightness. He applies tint to the footage to remap white to a color and black to another color. He also works with tri-tone, which enables you to map the midtones; color balance to colorize an object that has a lot of gray in an image.   [FULL STORY]
 
In this clip, host Chad Perkins looks at how to change the actual color in footage, also known as color grading in the film industry. Chad uses the color balance effect in the effects and presets panel in After Effects to change the feel of a clip by adjusting its colors. He discusses a bit about color theory, discussing the color values of video, red, green, and blue.   [FULL STORY]
 
 
 
 
By Chad Perkins
In this clip, host Chad Perkins looks at how to correct luminance, or brightness problems in your footage. He shows you the color corrections panel and discusses the auto levels and other auto effects, but also works in the levels effect, detailing the histogram which shows what is going on in your image, shadow areas, mid tones and highlights of the histogram. [FULL STORY]

By Chad Perkins
In this clip, host Chad Perkins covers the task of slowing down and speeding up video. He details how to slow down video footage and work with the stretch values in a clip, which expands the duration of the clip, or shortens the duration of the clip. He also works in the Time/Stretch dialog box, and the Time Warp effect as well. [FULL STORY]

By Chad Perkins
In this clip, host Chad Perkins details how to split a layer, cutting a video clip or any layer to different pieces, which is especially helpful when using B-roll footage. [FULL STORY]

By George Maestri
In this clip, host George Maestri takes a look at how to create layers, and shows how to create an animation layer. He creates a layer that has the body of a character, and Creates Layer from Selected. He warns to be careful when you create a layer that you put exactly what you want to animate into those layers. In the clip, he shows how to set a key move it forward and drop the body. [FULL STORY]

By Chad Perkins
In this clip, host Chad Perkins details how to replace footage that you've already edited. He shows how to replace a clip with another clip, and the problem is he's already color corrected the footage and removed the green screen footage, and edited and trimmed the clip in the timeline. He then shows how to delete and replace a layer, and selects the footage that will be used to replace what is in the timeline. [FULL STORY]


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